The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. Tout en considérant un son équilibré, les joueurs doivent apprendre à s'écouter les uns les autres, d'améliorer leurs propres performances au regard des aspects techniques et musicales et de développer conjointement leurs propres interprétations lors de la lecture ensemble. Le présent volume est destiné aux guitaristes qui possèdent une profonde connaissance de base du jeu de guitare.Les travaux sont particulièrement adaptés pour des concerts, auditions et concours.Comme le matériel à utiliser dans les leçons, l'accord morceaux, surtout avec certains aspects de jeu en duo, comme la confiance en menant son propre rôle et la formation des sens, les joueurs du style de la musique des époques différentes. Ce volume fournit un échantillon représentatif de la littérature facile à intermédiaire duo guitare avec des oeuvres de la Renaissance, époques classique, romantique et moderne. Toute personne qui ouvre ce 'coffre au trésor pour les duos' apprécierez pierres précieuses sous la forme de compositions originales pour deux guitares. Furthermore, other important topics are investigated, such as: the relationship between the Essercizi and the rival Londonese edition by Roseingrave: the role and chronology of the contemporary French editions, known under the name of Boivin: the early interventions of anonymous performers. Many topics are discussed in the rich Introduction, first and foremost the historical context and the genesis of Scarlatti?s sonatas. The detailed Critical Notes take into account all the variants handed down by the sources. In some cases, the edition presents an alternative version of the same sonata, based on the sources? examination and sometimes showing an intricate web of authorial variants. The musical text of this edition is the result of a systematic comparison of all the eighteenth century printed and manuscript sources preserving Scarlatti?s treasured Essercizi. This volume is the first step in such direction. But nobody had ever examined thoroughly the key aspects of textual criticism, intended not only as a detailed reconstruction of the text, but as a philological study with a full scope. For a long time, the style of these sonatas and their role in the history of keyboard music has been debated. the thirty Essercizi per gravicembalo (London, 1738-39) at the heart of the composer?s production. The 10th volume of Domenico Scarlatti?s Sonate per clavicembalo represents a crucial landmark of this series, i.e. One will discover treasures of refinement and sensitivity in their musical settings.Įssercizi per gravicembalo - A cura di M. This is attested to by the other songs in the collection on verses by Paul Verlaine Maurice Maeterlinck and Georges Delaquys three poets who were part of the literary pantheon of Nadia and her sister Lili. First of all it contains three Romantic mélodies in German on poems by Heine – a surprising choice given that the composer felt more attracted by Symbolist poetry. It is at her instigation that the publication of Nadia Boulanger's songs has continued in chronological order: after a first collection (HA 9725)devoted to the youthful works brought out during her lifetime by the publisher Hamelle the second volume presented here exclusively features unpublished works. In the past few years her creative work long considered negligible has finally been escaping from oblivion thanks to the untiring work of the Centre Nadia et Lili Boulanger directed by Alexandra Laederich. A student of Gabriel Fauré and Louis Verne at the Paris Conservatoire Nadia Boulanger (1887-1979) owes her aura to an exceptional teaching career spanning nearly 75 years during which she trained the most illustrious musicians from Copland to Glass not to forget Bernstein or Gardiner.
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